Smartphones make high-quality audio and video affordable for any newsroom. So why aren’t they used universally?

Radio journalists were early adopters of smartphones to record audio for news and current affairs shows, because the microphones on most smartphones have been good enough to record broadcast quality audio for nearly ten years.

But the cameras on smartphones have been slower to catch up, and they are still no match for a DSLR or TV camera, especially in low light. Smartphone cameras also tend to lack a digital zoom, so you need to ‘zoom with your feet’ and get close to the subject.

Nevertheless, a growing number of individual TV journalists – like Dougal Shaw at the BBC, and Ashlynne McGee at the ABC, are adopting mobile storytelling as part of their workflow. And some media outlets – like CBC in CanadaNDTV in India, Léman Bleu in France, and Omrop Fryslân in the Netherlands are encouraging most or all their journalists to use smartphones on the job. Others, like the Irish broadcaster RTE, have dedicated teams using smartphones to create news packages for TV and online, and have even produced full-length TV documentaries.

What they’re finding is that mobile journalism works. First, most journalists already own a smartphone, and with simple accessories like a tripod and external microphones, you can make broadcast-quality radio and television content.

And that means any media outlet can gather more images, audio and video, and engage more easily with their audiences for feedback and follow-ups.

Corinne Podger is the author of this manual and a mojo expert from Australia. In this video she explains why mobile reporting is essential for newsrooms and tells us what she recommends when introducing mojo in a newsroom.